Category Archives: Reissues

Electronic, KLF, Reissues, Trance

Avoiding Reissues [More Or Less] with THE KLF

Trying hard to keep their artistic vision intact and their promise intact not reissuing the KLF COMMUNICATIONS back catalouge still more than 23 Years after they where a big household name the music can only be streamed and now the Videos & Footage can be seen once more, “including The White Room (1989), The Rites of Mu (1991), narrated by Martin Sheen and the previously unreleased Krash (1992). Also included are the world famous music videos for the hit singles 3 A.M. Eternal, What Time is Love? and Justified & Ancient”.

KLF

Extras include A Chance to Play with the Big Toys (2023, 41 mins): director and producer Bill Butt is interviewed by Mick Houghton, publicist for The KLF, KLF: Unfinished (1992, 29 mins): Robert Milton-Wallace’s fly-on-the-wall documentary about the making of The KLF’s music videos & This Is Not What The KLF Is About (1991, 15 mins): a short film not directed by The KLF, capturing the making of Stadium House Trilogy which was available on VHS an Age ago (and I should still have somewhere while not even having an player for it at hand).

DIY, Electronic, Gothic, Klappstuhl Records, Reissues

Epical Obscura – Solanaceae Tau

The third installment of the Solanaceae Tau Reissue series is “Epical Obscura“, originally published in July 2000 and heavily influenced by ecological activist Julia Butterfly who saved a giant and ancient redwood tree and surrounding forest in California by living on it as long as it took to get an eternal contract that it will be saved. Three of the tracks use lyrics by her and the all other lyrics are critical observing the state of the world by then too. One of the album tracks reminds me a lot of Algebra Suicide in a positive way;

Nihilistick Noise Archive aims to present the legacy of Solanaceae Tau as best as possible furthermore each album reissue is accompanied by a free single, in this case The Circle c/w Announcement Of Darkness. Get it here.

The original cover art can be seen archived on discogs, slightly altered but still blatantly taken from the innersleeve of an Grateful Dead record to underline the strength and unitiy of alternative culture but due to the re-working of the album it seemed approbiate to update and re-design this too.
As with the preceeding reissues (2007’s Novus Ordo Seclurum and 2003’s Voices From The Ground Behind) the tracks where professionally remastered by Maurizio Pustianaz of Noisebrigade honoring the late Axaxas aka Fenryr aka Andreas Kirchner.
I’ve been in contact with him again as I had the idea to publish some of this projects works on Klappstuhl because they where badly underrepresent anywhere online which was a shame… S.T. never managed to fit into one style be it experimental, electronic darkwave, industrial, neo folkish or cybergoth or whatever and had most likely because of this and limited distribution only a selected followship.

[click to listen]

Landscape pic by Dominik Scythe.
Skull pic by Max Kleinen, thanks to both.
Design & layout fd (full printable artwork included with dl).

Electronic, Experimental, Klappstuhl Records, Reissues

SP 029 rasal.asad : asuna.lahva

Another lost album rediscovery thanks to mobile working lead to this release. Partially it has still a 90’s optimistic Ambient flair with a touch dreamaway but paired with selected speech samples. Soundwise it prequels Fernando Cerqueira’s earlier vaporwave works as Walt Thisney with it’s distinguished slightly unreal appeal up to the final track which dives into drone territory and was published separate in 2004 as EP. This one connects more to his recent works with it’s timeless approach.

The general unreal futuristic feel no matter if generated through different voices or noises, synth or piano sounds is what always caught my attention so this is paired with altered images of Tokyo, Japan, 〒101 0021 tōkyō to, chiyoda city, sotokanda, 1 chōme−15−１ 半田ビル (Original Photo by Gwen King on Unsplash) to reflect this.

rasal.asad

‘Asuna’ was his second solo release after Ras.Al.Ghul splitted for good. The first one, ‘Space.Scape’ had been reissued before remixed and remastered by his alter ego Walt Thisney in digital format. Originally issued by Thisco in 2003 as Thisk 12 on CD (and Thisk 19 in 2004) who rececently celebrated their 20th Anniversary with a highly recommended compilation (ltd. LP / DL) 7300 Earth Spins featuring new and old allies of the label he founded together with Luis Van Seixas aka Sci Fi Industries when he too still lived in Portugal back in 2001.

20 Years Thisco!

If you order the LP you’ll even get a Compilation CD from 20 Years ago free with it to linder the hurting if you see the postage costs.

Listen and get this insubstantial artificial artefact here >

Electronic, New Wave, Nostalgia, Pop, Reissues

Vor all den Jahren – Stahlnetz im Netz

In times where many thoughts lead back to what once was normal for each of us there is a little catchy ironic nostalgia as performed by Stahlnetz showing this is not really new in phases of change a pleasure to rediscover. I loved the single when it came out and was lucky enought to find the 12″ pretty soon afterwards in the bin’s when the NDW came to an bitter end and German sung pop music went English again or straight into oblivion.

Single (1981/82) aus dem Album Stahlnetz – “Wir sind glücklich” (BMG Ariola).
Produziert von Conny Plank. Musik & Text: Jochen Rausch.

Unavailable since 38 years, except as expensive 2nd hand copy LP, now a digital reissue is available carefully transferred and remastered from the original Masters via various sources. Artwork and tracklisting was altered on this occasion so hold your breath if you paid a lot for the orginal album.

Besides – an unreleased track from the Conny Plank sessions was released a few years ago via Jochen’s Soundcloud.

In December 2020 they actually released a new album (!)

“Music For Smartphones” is (of course) digital only and accompanied with an (extended) single too. But most thrilling – 51 tracks, just arround 1 Minute in length and each accompanied by a video to be found on youtube….

See their YouTube Channel for all uploads.

In an interview posted on their homepage they go into the details –
Jochen Rausch and Det Cremer from Wuppertal use a the digital voice software they called Marta and their idea to work with the restrictions following the obversation of people scrolling through their timelines with a short affection span endlessly. Of course you can find them now on Instagram, FB alike with your smarthphone (…)