Tag Archives: Solanaceae Tau

2023 Activities : “View From Nowhere” ..

Self promotion is not really what I would call my strenght. Anyway, there is a need to sum up what happened since the last Klappstuhl releated post now.
Anyway, here is a slight look back on another year Klappstuhl & releated Activities:

January started with a compilaton of loose tracks from MIK@ issued via con area Hand Made which is for now a PWYW release.

February and May saw the next remastered reissues of Frankfurt’s cyber goth Project Solanaceae Tau on nihilistick noise archive .Each Album accompanied by a free digital single. The next release sadly came to an halt due to the untimely death of singer Katmaina this Autumn. Shocked and sad we will continue to present the legacy as good as possible, also in memory of Axaxas who left earth the year before.

On Klappstuhl April and June where highlights unearthing an unpublished Siegmar Fricke electro EP, recorded back in 1999 and the definitive Version of the Pharmatrance Album by his and Heike Böhm’s project A:M:B, both freshly mastered , licensed from the ever evolving pharmakustik both featuring original artworks by Siegmar Fricke.

A radio show featuring among others Siegmar Fricke, D.S.I.P. and A:M:B by Mr. Ebu from FFM (who still has a wide open heart for the Casssette Culture and more). Follow on Mixcloud is now listenable online at:

August came and with it my personal favourite – ‘View From Nowhere’ which is a great double album documenting the recent sound developments of ungarian electronic dub maestro OhmikRon following 2022’s ‘Pandemic Dub’ also on Klappstuhl and ‘Broader Spectrum’ (via ODrex Music, Berlin. Toying with an AI image Generator for the design gave it an extra fitting and futuristic touch. More can also be found at ohmikron’s page.

In Autumn all I could do was reworking the early Walt Thisney album ‘ThisContinuum’ for an reissue. Thanks once more to Maurizio for his work beyond the call of duty which gave this retro futuristic collection a fresh neonlike sound.

Thiscover more recent works by Walt via his site which seemed dormant for a while but got recently updated with new releases.

On a releated note Marco Milaneso of DsorDNE also deep dived into his archives and published two soundtracks, commissioned for original theater productions MARAT SADE and RED by Nevio Gambula back in the mists of time.e 8 tracks extracted from soundtracks specially made for theater works in 1989 from the Acqualuce Studio tape archive and remastered, two tracks have also been remixed from the original tapes, at O.F.F. Studio, Torino.

As far for now, I wish all a better year than the last one.

Epical Obscura – Solanaceae Tau

The third installment of the Solanaceae Tau Reissue series is “Epical Obscura“, originally published in July 2000 and heavily influenced by ecological activist Julia Butterfly who saved a giant and ancient redwood tree and surrounding forest in California by living on it as long as it took to get an eternal contract that it will be saved. Three of the tracks use lyrics by her and the all other lyrics are critical observing the state of the world by then too. One of the album tracks reminds me a lot of Algebra Suicide in a positive way;

Nihilistick Noise Archive aims to present the legacy of Solanaceae Tau as best as possible furthermore each album reissue is accompanied by a free single, in this case The Circle c/w Announcement Of Darkness. Get it here.

The original cover art can be seen archived on discogs, slightly altered but still blatantly taken from the innersleeve of an Grateful Dead record to underline the strength and unitiy of alternative culture but due to the re-working of the album it seemed approbiate to update and re-design this too.
As with the preceeding reissues (2007’s Novus Ordo Seclurum and 2003’s Voices From The Ground Behind) the tracks where professionally remastered by Maurizio Pustianaz of Noisebrigade honoring the late Axaxas aka Fenryr aka Andreas Kirchner.
I’ve been in contact with him again as I had the idea to publish some of this projects works on Klappstuhl because they where badly underrepresent anywhere online which was a shame… S.T. never managed to fit into one style be it experimental, electronic darkwave, industrial, neo folkish or cybergoth or whatever and had most likely because of this and limited distribution only a selected followship.

[click to listen]

Landscape pic by Dominik Scythe.
Skull pic by Max Kleinen, thanks to both.
Design & layout fd (full printable artwork included with dl).