SHRIEKBACK LIVE 2017

Photo:lahayefrans@gmail.com

A great shot showing Marsh / Andrews / Baker in full form performing at the Paradiso in Amsterdam 23 / 09 /2017.

The final gig of this year’s return to live performance with the aid of many old allies – Steve Halliwell (Keys) also in the background to be seen, The Syd’s i.e. Sarah and Wendy Patridge on Backing Vocals, Mike Cozzi (Gtr.) and on the Bass Scott Firth (PIL).

Shriekback used the Kickstarter Platform to make this possible and played many tracks from 1985’s ‘Oil And Gold’, a few from ‘Big Night Music’ and some classic singles like ‘My Spine Is The Bassline’, ‘All Lined Up’ in updated versions but only one song from their recent ‘Without Fish And Strings’ album; ‘Recessive Jean’ which is not the strongest imho but worked fine as a medley with the incredible groovy ‘Feelers’.

It was hard to tell who was more delighted that this happened, the band or the fans – a great night out in a great City. Thanks to modern tech nearly every move is documented somewhere but to have been there is actually still priceless.

Welcome Autumn

Walt Thisney strikes again; exotica, kitsch, lounge, space pop – call it what you want but give him a ‘Welcome Back Walt’;

And in his usual genourous style the master of plunderphonical sidesteps also issued more detailed EP’s in a straight row from August to September; Walt Thisney plays KORLA PANDIT tunes, Mondo Saxtanico and not to forget:
Saxtanic Mass – Walt Thisney plays ANTON LAVEY tunes .

A new digital & limited tape release by the mastermind of DsorDNE on a new Italian label just appeared;

The Glove Of Bones & Cousin Silas reissued their mighty dubby ambient collaboration ‘Ornithology’ after the disappearence of Digital Dizzy on the acclaimed ambient netlabel We Are All Ghosts;

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Try not to get lost there with all the free Cousin Silas Releases available.

Summer Of Song (Faraway In Time) – martha and the muffins

“2017 marks the 40th year since Martha and the Muffins was founded in Toronto by Ontario College of Art students David Millar and Mark Gane, along with Martha Johnson, Carl Finkle and Tim Gane. Several months later, the band was augmented by two more members, Andy Haas and Martha Ladly. ‘Summer of Song’ is a remembrance of the early days of the band, when we were young and everything seemed possible.”

A very dreamy and thoughtful ballad, well i guess only a few miss getting calmer while travelling through the decades.

On another note Echo Beach released a second Compilation of M&M Remixes in July, called ‘Where Blue Meets Green (balearic edits)’, Martha and the Muffins tracks re-edited, re-sampled and “focused” by DJ’s Sir Billy, TC Sunshine and Martin “ez” Fekl. See and hear the promo video to get an impression of the sunny spirit here:

Andhere’s a bonus remix of their brandmark single “Echo Beach” which is semi-surprisingly not included in the above mentioned Ibiza inspired DJ mixes and only available currently as a free promo download.
Semi-surprisingly indeed if you consider Echo Beach already released a limited CD full of remixes of this one song in 2010 at the 30th anniversary of the original Single release.

Of course not only Nicolai Beverungen (the label head) was caught by this catchy melancholic danceable working class lines, “Echo Beach” was rightfully a Canadian, Australian and British Top 10 Hit and is still remembered as one of the classic New Wave / Post Punk tunes of the 1980’s.

Finally their debut Album Metro Music will receive the deluxe treatment from Universal Music Canada and be reissued as CD / 2LP with bonus tracks unknown yet.

Hard to believe but this will be just the second CD issue of this classic Album at all (…).

Tristi di Rabbia – DsorDNE

Marco Milanesio finally opened up his archives from the past a little wider resulting in the issue of an unreleased ambient experimental studio session recorded in December 1996. Remastered at O.F.F. and issued via the renowned and always busy Nostalgie De La Boue:

The new Blacksilk label from Berlin released mid July an 12″EP / DL of three remastered and two remixed tracks, taken from the deleted HAX ‘Tecnologie Del Movimento’ Compilations, the early Split Tape ‘Notturno’ and one from the final Album ’24 o 25′.
Although this sounds a bit mixed up the tracks work very well together and the (to me unknown before) remixers Phase Fatal & Unhuman spice up the tracks perfectly. The only lowpoint is the artwork which is close to meaningless to me but musically I am more than happy and this will make my 2017 best of list anyway….

For current updates see the newly installed official fb page.

The Black Box EP – Gerstein

After pestering Maurizio Pustianaz for a while he finally sent me a batch of early (1986) session tracks to choose from for an exclusive Klappstuhl Records release and here it is; minimal, raw and remiscent of the cold 80’s mood, still influenced by the earlier industrial experimental scene – think of Robert Rental, Konstruktivists or The Elephant Table Album for some slight touchpoints.

More info on recent releases /activites can be found @ noisebrigade.org

Trism 14 > Delta-Sleep Inducing Peptide‘ Cataplectic Episodes > Reissued

Nearly lost in time and never properly reissued until now Klappstuhl proudly presents a freshly transferred and fully approved digital reissue of this 1991 Cassette Only EP @ bandcamp.

As for more current releases and other available reissues please see D.S.I.P.’s site.

Dada Dada Ist ? – GERSTEIN

A new track taken from a forthcoming release by Gerstein (Maurizio Pustianaz) of Noisebrigade / A New Life / …. has just been released shortly after his highly recommended compilation 32 Years Of Rain which gives a great overview of all the periods he went through since he actively made and published own works – from early Industrial / Minimal Electronics to Piano Works, Post – EBM / Technoid / Darkwave and various Collaborative Works. Early ltd. tape only releases are also present here as later CD or Digital only releases . A few remixes and unreleased tracks make this even more interesting to follow him on his journey through the mind.

Mr. Concept returns with a Twang!

Klappstuhl Records just proudly published the 5th Album by the meanwhile legendary and believed to be lost on music Mr. Concept from Leicester, UK. An early fiend of the use of Synth with Pop Music Structures as well as influences from the Shadows, the 60’s the New Wave and Comedy made his Cassette releases near unique in the 80’s Cassette Scene. Such that even his ‘November‘ LP on Cordelia Records issued in 1985 could not really do justice to his talents as without the jingles, radio spots or other interludes it appeared more like a Compilation of some of his finest moments then an Album. But anyway, while everyone expected Mr. Concept to jump straight into the Entertainment Brunch of popular Culture but after a final MC release he made himself ultra-rare for the connosoirs of his tunes, only slight glimpses of life appeared since then, most remarkable the “While My Sitar Gently Beeps” digital EP in 2007 – now deleted but all tracks included here), a website about ringtones and an exclusive unpublished track on “The Constant Rise Of Expectations“ Compilation (Klappstuhl, 2012).

Here is what Concept City ‘s Managment reported to us about the historical events………

“After the creation of his last ever cassette tape ‘CONCEPTVM UMBILICVS‘, way back in 1986, Mr Concept! continued to make recordings of the finest quality on a four track cassette based Portastudio for several more years. Meanwhile The City of Concept was growing and developing into the massive metropolis that we live in today. As part of that development a new levitated tramway was needed to connect the workers luxurious living areas with their city based ‘Centers of Creativity’ and/or the pub. Unfortunately the planned route was right through CONCEPT CITY Studio 2 and so in 1990 the contents of Studio 2 were rehoused into Studio 3 which was located in an affluent suburb area of CONCEPT CITY. Unfortunately the engineers had trouble remembering how to connect everything up again and the Portastudio never really regained its importance as a creative tool for the genius mind of Mr Concept!

Portastudio?

Mr Concept! struggles with the inner turmoil of stifled creativity and unfinished work
The world was advancing rapidly – technologically and computers were becoming more powerful year by year. The engineers at CONCEPT CITY realised that if they could distract Mr Concept! for long enough then maybe they could create a completely new methedology of recording and forget all about connecting the old studio up again forever ny-a-ha-ha-ha-ha-haaaa! Soon they had a strategy – to connect a computer to a musical keyboard and let the computer control the keyboard. All Mr Concept! would need to do would be type in a few numbers in boxes and new tunes would roll off the production line and his stiflement would be no more and they would be off the hook. They worked incessantly both night and day trying to develop this wonderful dream but got nowhere. Meanwhile Mr Concept! bought an Atari ST and a cheap Yamaha keyboard with MIDI and was soon creating wonderful new music.

Mr Concept! was fired with enthusiasm and decided that all of the remaining music created on the Portastudio would be released on a cassette and he would call it ’37’. A master tape was labelled and the first track ‘Open Up The Network (Reprise)’ was written and recorded and placed on the master tape. And that’s as far as it got. For Mr Concept! became pregnant with wife and children and his creative stiflement was no more for he had created the best thing ever – a family!

Some Years Later….

New PC is delivered
The world had changed. Especially the world of the computer. The PC was King, and the King had a sound card, and hard drive, and a CD-Burner, and Windows, and a door and a drive… And Mr Concept!’s creative stiflement had come back, only this time on the left side. He had heard, from a far off land, that there were computer programs that could be used to create music like in the old days with the Portastudio. He would be able to play his guitar and record it on the PC. And the PC could play samples like the old UK101 computer he had used all those years ago, and it could do MIDI, and everything that Mr Concept! had ever dreamed of!
Mr Concept! plucked up the courage to visit a downtown CONCEPT CITY music store. It was empty and two bored assistants listened to Mr Concept!’s description of the software ‘Holy Grail’ he was searching for. They nodded as each feature was listed and said ‘yep’ to let him know that they understood. Mr Concept! expected the worst but was thrilled when they both looked at him, then looked at each other, and shouted ‘ACID ROCK!’ in unison. An initial order of twenty copies was placed and within days the engineers were installing it at the CONCEPT CITY Test Plant for approval. The Portastudio was moved to one side to make more room, and then later put back in its box for a few days, and then even later forgotten.

Mr. Concept testing new technology..

This was indeed the dream application that Mr Concept! had hoped for… within hours he was creating new tunes with this wonderful software. It was sooo easy using all the supplied loops. Unfortunately every other user of Acid Rock was doing the same and you would hear the same drums and riffs in other people’s songs. So Mr Concept! started going through his record collection and making his own samples by recording small snippets of sound onto the computer.
And so, over the next three years, new recordings were gradually created. Time was limited, what with the breast feeding and everything, but Mr Concept! gradually learned how to make music in this new way. The early tunes contain quite a lot of ready made samples and Mr Concept! wanted to put more of his own stamp on any future recordings and so decided to create a CD with the material so far and draw a line in the sand. The CD ‘Electric Gates of Distinction’ was made with this early computer created music but remained unreleased as there might have been copyright issues with the samples used.
At around the same time Mr Concept! rounded up all the remaining tracks from the Portastudio years and finished off the ’37’ project but instead of a cassette he created it as a CD. Sadly it too remained unreleased…

And so – lines drawn in sand and everything wrapped up Mr Concept! sat at the dawning of a new era in his life. He looked back at the past and then turned his gaze forward. ‘Will there be a future’ I hear you sigh…

Obviously there is always a future – but sometimes it doesn’t turn out quite the way you had hoped. But on the up-side Mr Concept! has survived and slowly he has produced a pile of new audio miscellany for a future release but in the meantime…

Archeologists recently unearthed the Portastudio from a store room deep in CONCEPT CITY. At first it all looked well but after further investigation it was found that all the rubber drive belts had rotted away and it was now nothing more than an oversized four channel mixer – it is now on permanent exhibition in the CONCEPT CITY Museum of Technology. To celebrate this amazing discovery CONCEPT CITY and Klappstuhl Records have joined forces to release the last output from this ancient machine ‘XXXVII’ which is latin for ’37’. Now dear listeners you too can relive those ferromagnetic days by getting your very own copy of XXXVII………..

lost in musick II